The Story of the Heel String Incident of Angola Prison is Told Through Poetry in Remaking Achilles: Slicing into Angola’s History by Carol Tyx, Willow Run Poetry Book Award Winner

Carol Tyx
Winner of Willow Run
Poetry Book Award

We are pleased to introduce you to Carol Tyx, of Iowa City, Iowa, who is the inaugural winner of our Willow Run Poetry Book Award for her stunning collection, Remaking Achilles: Slicing Into Angola’s History. Tyx received the cash award of $1,000 and her manuscript has just been published on the Hidden River Press imprint of Hidden River Publishing.

Inspiration for Tyx’s work came from a gruesome historical event in 1951, when 37 inmates of Angola Prison in Louisiana slashed their own Achilles tendons in order to make public the brutal conditions at the prison. Interest in this event led Tyx to the prison itself, where she did extensive research and, with what began as a plan for one or two poems, found herself writing an entire book of poetry based on this incident. More information about Carol’s experience with this horrifying history can be read here.

Carol teaches writing and American literature at Mt. Mercy University in Cedar Rapids, Iowa. Her teaching interests include African American literature, U.S. Latino literature, creative writing, and service learning. Along with a colleague and many students, she facilitates a prison book club. Her poetry has most recently been published in Minerva Rising, Hunger Mountain, Big Muddy, Iowa City’s Poetry in Public, and Rising to the Rim, published by Brick Road Poetry Press.

Some early praise for Remaking Achilles:

Remaking Achilles brings alive the vivid realities of Angola’s history. I study Angola, …this collection paints the horrors and injustices of time past in a way that the simple facts never do. Carol Tyx has done a remarkable job of reminding us all of where we came from and why we do not want to return.” (Marianne Fisher-Giorlando, retired criminal justice professor and Angola historian)

“These sterling voices pretending to be persona poems are so well researched and authentically rendered that the painful and traumatic memories of Angola will continue to haunt readers long after the last pages are sliced open and left bleeding.” (Frank X Walker, author of The Unghosting of Medgar Evers)

“A compassionate and imaginative retelling of a harrowing period in American penal history. With each vivid and lyrical insight, Carol Tyx weaves a compelling poetic tale depicting the effects of institutional racism and cruelty, of unimaginable hardship, but also of the human impulse to resist and seek dignity. In the darkest hours, there are sparks of light.” (Andy Douglas, author of Redemption Songs: A Year in the Life of a Community Prison Choir)

Like the ghostly inmate who takes his place in the long line of U.S. prison atrocities, Carol Tyx claims her place in a long tradition of poets like Muriel Rukeyser (The Book of the Dead, 1938) and Carolyn Forché (The Angel of History, 1994), incorporating individual impersonations and historical documents into lines that incriminate us all. (Cecile Goding, The Iowa Summer Writing Festival)

Remaking Achilles: Slicing into Angola’s History is available at online bookstores, and can be ordered at your local brick and mortar store.

Amazon

Barnes & Noble

Powell’s

BookShop.org

The Willow Run Poetry Book Award is offered yearly for a book-length collection of original poetry. The next submission deadline for the Willow Run Poetry Book Award is February 20, 2021. For more information, please see our guidelines.

Carol is available for readings, interviews and other activities. Please contact for further information.

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Justine Dymond Is Winner of the 2018 Eludia Award

Justine Dymond has won the 2018 Eludia Award for her story collection, THE EMIGRANT AND OTHER STORIES

Hidden River Arts, the inter-disciplinary independent arts organization located in Philadelphia, Pennsylvania, is pleased to announce Justine Dymond of Belchertown, Massachusetts, as the 2018 winner of The Eludia Award, for her collections of stories, The Emigrant and Other Stories.

In describing her award-winning manuscript, Ms. Dymond says, “The stories in my collection range widely in setting and era, including France during World War II, Maine in the early eighteenth century, and Tennessee in the twenty-first century. What the stories all have in common, however, are characters who experience life as foreigners, whether in their own countries or not, and who long for a real or imaginary elsewhere. Each character has a different impulse that propels their longing. For one couple, it is discomfort with their identity as Americans as they spend time in another country. In the title story, a young teacher discovers freedom and desire inside the walls of a prison. In another story, a teenager in Washington, D.C. yearns to be included in the lives of strangers. In the story titled “Intruder,” a woman in colonial New England gradually realizes that her neighbors want her to be elsewhere. Each story represents a border experience, imposed from the outside or inside, that paradoxically confines and propogates the human desire to be somewhere else.”

Given that we live in a time so filled with xenophobia and nationalism, so filled with out-of-control hatred of the “other,” The Emigrant and Other Stories speaks to our lives in a very timely and powerful way.

Justine Dymond is Associate Professor of English at Springfield College in Massachusetts, where she teaches literature and writing. Her short story “Cherubs” was selected for a 2007 O. Henry Prize and was listed as a distinguished story in The Best American Short Stories 2006. Her stories have appeared in Pleiades, The Massachusetts Review, The Briar Cliff Review, Meat for Tea, Lowestoft Chronicle, and Cargo Literary, and have been nominated for Pushcart Prizes and The Best American Travel Writing. Her fiction has been honored with grants and awards from the Vermont Studio Center, Writers OMI at Ledig House, and Martha’s Vineyard Institute of Creative Writing. Demeter Press issued her co-edited collection Motherhood Memoirs: Mothers Creating/Writing Lives in 2013. She is currently writing a novel based on the life of a woman who was tried for infanticide in Boston in 1733.

The Eludia Award is a first-book award, offered yearly for an unpublished book-length work of fiction written by a woman writer, age 40 or older. The winner receives a $1,000 cash award and publication with Hidden River Publishing. The next submission cycle for the award deadlines March 15, 2019. Please see our guidelines for additional information.

Hidden River Arts was established over twenty years ago in Philadelphia, PA as an organization focused on “serving the unserved artist”, looking to provide supports in the form of awards, live arts events, workshops, and publication to bring attention to artists working in under-recognized areas, or in under-recognized forms. More on Hidden River Arts can be found at our website. And the names of our semi-finalists and finalists of the 2018 Eludia Award cycle can be found here.

Marjorie Sandor Is Named The Inaugural Winner of The Tuscarora Award

Marjorie Sandor, Winner of The Tuscarora Award for Historical Fiction

Hidden River Arts is pleased to announce Marjorie Sandor of Corvallis, Oregon, as the inaugural winner of The Tuscarora Award for Historical Fiction for her novel, The Secret Music at Tordesillas.

Ms. Sandor speaks of her novel, “The novel tells the story of a 16th-century musician of Jewish descent navigating the ever-growing terror of the Spanish Inquisition from within the court of the Catholic Kings Fernando and Isabel, and later, that of their tragic, intriguing daughter, Queen Juana “the Mad.” Forcibly converted to Christianity as a child, the gifted young instrumentalist Juan de Granada carries in his memory a music—and a culture—now punishable by death. The dangers of his daily life gradually increase as he finds himself drawn close to a young woman of the court, herself the daughter of converts, whose courage and secret passion for the old traditions threaten her life, and the lives of those she loves.”

While exploring a particular historical time and place, the novel also explores the very human and timeless struggle to hold fast to personal and artistic liberties in a time rife with national paranoia, ethnic cleansing – certainly relevant to our times. The Secret Music at Tordesillas reveals a nearly-undocumented aspect of the Spanish Inquisition: the way that cultural and religious oppression threatens to doom forbidden artistic practices.

Marjorie Sandor is the author of four highly-acclaimed books of short fiction and essays, including the linked story collection Portrait of my Mother, Who Posed Nude in Wartime, winner of a 2004 National Jewish Book Award. Her work has appeared in such journals as AGNI, The Georgia Review and The Harvard Review, and has been anthologized in The Best American Short Stories and The Pushcart Prize. Her edited international short-story anthology, The Uncanny Reader, appeared in 2015. She teaches in the MFA Program at Oregon State University and the Rainier Writing Workshop.

The Tuscarora Award is offered yearly for an unpublished book-length work of historical fiction. The winner receives a $1,000 cash award and publication with Hidden River Publishing. The next submission cycle for the award deadlines May 31, 2019. For information, please see our guidelines.

Hidden River Arts was established over twenty years ago in Philadelphia, PA as an organization focused on “serving the unserved artist”, looking to provide supports in the form of awards, live arts events, workshops, and publication to bring attention to artists working in under-recognized areas, or in under-recognized forms. In addition to the information here on our blog, you may explore our Hidden River Arts website.

The semi-finalists and finalists of this inaugural cycle of The Tuscarora Award can be found here.